Parameters

OSC

• Mix Type – Mix Algorithm between OSC1 and OSC2. Add, Mul (multiply. AKA ringmod), PM (Phase mod. AKA FM synthesis) and Sync (OSC1 syncs OSC2
• Mix Balance – Mix Balance between OSC1 and OSC2
• OSC1 Wave – Oscillator 1 waveform. Sine, Saw, Square, Tri, Organ or Organ2.
• OSC2 Wave – Oscillator 2 waveform. Sine, Saw, Square, Tri, Organ or Organ2.
• OSC2 Semi Tune - Oscillator 2 Semitone tuning
• OSC2 Fine Tune – Oscillator 2 Fine tuning (in cents)
• Noise Level – Noise Volume. Noise is Added to OSC2.

ENV

All/Several:

• Decay – Amplitude Envelope Decay
• Shape – Amplitude Envelope Shape. See ‘A Note About Shape’ at the bottom.
• Amp Attack – Amplitude Envelope Attack
• Amp Decay – Amplitude Envelope Decay
• Amp Shape – Amplitude Envelope Shape. See ‘A Note About Shape’ at the bottom.

• Filter Attack – Filter Envelope Attack
• Filter Decay – Filter Envelope Decay
• Filter Shape – Filter Envelope Shape
• Pitch Env Decay – Pitch Envelope Decay. Pitch Envelope is an Exponential envelope.
• Pitch Env Shape – Pitch Envelope Shape

FILTER

• Filter Type – Type of filter. Lowpass, Highpass, Bandpass, Notch, Lowpass 24 or Highpass 24
• Filter EnvMod – The degree that the Filter Envelope affects the cutoff frequency. Can be positive or negative.
• Cutoff – Filter center frequency.
• Resonance – Filter peak or sharpness. Also called Q.
• Drive – Filter Drive. Higher drive settings have the effect of reducing resonance, but yield a heavier, bassier sound.
• Clip – Hard distortion circuit. On or Off.

MOD

• OSC1 Pitch Env Amnt – Pitch mod for OSC1
• OSC2 Pitch Env Amnt – Pitch mod for OSC2
• Pitch Env to Mix Bal
• Pitch Glide

• LFO Rate – If Waveform is not none, this is the frequency of the LFO
• LFO Waveform – Either ‘None’ which is just a straight modifier, or an LFO waveform such as Sine, Saw, Square, Tri, Organ or Organ2
• Tilt to LFO Rate – The degree to that tilting modifies the LFO rate.
• LFO/Tilt to Trigger -  The degree to that tilting modifies the trigger
• LFO/Tilt to Filter – The degree to that tilting modifies the filter Cutoff
• LFO/Tilt to Pitch1 – The degree to that tilting modifies OSC1 pitch
• LFO/Tilt to Pitch2 – The degree to that tilting modifies OSC2 pitch

• Trigger to Amp Env – Degree that Trigger affects overall Volume Level of the Part
• Trigger to Amp Decay - Degree that Trigger affects Amp Envelope Decay
• Trigger to Pitch Env - Degree that Trigger affects Pitch Envelope
• Trigger to Filter Env – Degree that Trigger affects Filter Envelope
• Level – Volume Level
• Pan – Stereo Pan

A Note About Shape

This diagram should illustrate how envelopes and the Shape parameter works. The Synth and Cymbal parts have an Attack / Decay / Hold Envelope. The rest of the Parts use simpler Exponential Envelopes.